For Women's History Month, the Institute of 国产福利 Education hosted several Q&As centered on women in food. ICE students enjoyed exclusive access to the participating panelists, among whom were Chefs Sohui Kim and Shenarri Freeman. Here's a look at our "women in business" conversation with the award-winning chef-restaurateurs.
Big name chefs, many of whom are ICE alumni, often visit our New York and Los Angeles campuses. This benefit 鈥 having access to influential chefs because of the school's locations in two American culinary capitals 鈥 is unique to ICE.
Last week, that benefit was on full display when award-winning chefs and Michelin Guide favorites Sohui Kim and Shenarri Freeman (both ) stopped by ICE鈥檚 NYC kitchens for an exclusive panel and talkback.
The event was part of our Women鈥檚 History Month programming that, in addition to Chefs Sohui and Shenarri, featured esteemed hospitality industry veteran and ICE Chef-Instructor Kathryn Gordon.

The three chef-entrepreneurs spoke at length about their experiences as women in culinary businesses, addressing topics ranging from self-doubt and 鈥減aying your dues,鈥 to financing your vision and cultivating camaraderie among colleagues.
Imposter syndrome is real (and also, not)
For Chef Shenarri, self-doubt is expressed as imposter syndrome, which she said 鈥渃omes and goes.鈥
鈥淚 try not to have imposter syndrome,鈥 she said. 鈥淏ut sometimes you can鈥檛 help it.鈥
This revelation is both surprising and routine: surprising because Chef Shenarri, who owns in NYC and is a 2023 Forbes "30 Under 30" honoree and James Beard Award Semifinalist for "Best Chef: New York State鈥; routine because she鈥檚 a woman.
In recanting an experience with a celebrity client, wherein she was admittedly star-struck and not entirely sure why she鈥檇 been sought out, she referenced the pep talk a close friend gave her.
鈥淸She said to me,] 鈥楾hey鈥檙e coming to you because they know your food is great. They鈥檙e requesting you because they want your services, and they want to support what you鈥檙e doing."
"The imposter syndrome went out the door,鈥 she said.
Chef Sohui offered a story around the kind of doubt that appears first as, 鈥淐an I do this?鈥 鈥 questioning her own capability 鈥 and then as, 鈥淒o I want to do this?鈥
鈥淭here were nights [working the line],鈥 she said, 鈥渢hat I was completely spent, like I had run five marathons back-to-back-to-back.鈥
One experience 鈥 her first in fine dining 鈥 was 鈥渓ike that scene in The Bear where Carmy opens for lunch, and the order tickets in the kitchen wouldn鈥檛 shut the heck up the entire six-hour shift," she said.
鈥淚 kept hearing it in my dreams,鈥 she said, laughing while mimicking the tick-tick-tick sound of the order ticket machine.
鈥淚 had a moment when I was watching that show where I was like, 鈥業 can鈥檛. I gotta鈥 shut this off. It鈥檚 triggering,鈥" she said.
But then, she notes the flip side: 鈥淸There are] nights where you鈥檙e on top of the tickets and you feel a deep sense of accomplishment, like, 'I did just run a marathon. I did just win the world series,鈥欌 she said.
The takeaway, say both, is a chef two-fold: it鈥檚 worth it, and you鈥檙e worth it.
Paying dues still exists 鈥 but the fee is different
On the matter of paying your dues, which in chef-speak 鈥 and the words of Chef Sohui 鈥 is generally understood to mean 鈥渞epetitive cooking on the line with chefs yelling at you,鈥 the panelists had different experiences but similar opinions.
鈥淪ometimes I was like, 鈥業鈥檓 in a mental institution right now [with all this yelling]. But that was considered 鈥榩aying your dues.鈥 The paying of dues nowadays is different,鈥 Chef Sohui said.
鈥淭he job itself is really hard, but it was really rough 20 years ago," she added.
Chef-Instructor Kathryn agreed 鈥 but with a caveat: 鈥淸The mentally-taxing work environment] is still too prevalent, unless you鈥檙e in a woman-driven business, where they are hiring mostly women. With that leadership and identity 鈥 then it can be a very positive situation.鈥
Dollars and sense = success
Women and men also tend to have different experiences when it comes to financing a restaurant, according to the panelists.
鈥淭he capital is not always readily available,鈥 Chef Sohui said.
When she sought financing for , her most recent endeavor and another to yield a James Beard Award Best Chef nomination, the venture capitalists she solicited were 鈥渁 lot of dudes, and they wanted to be not-so-silent partners, and there were a lot of strings attached,鈥 she said.
Ultimately, the restaurant was funded primarily by small donations from longtime supporters and patrons.
This is one of several reasons why knowing your numbers and solidifying your vision is vital. As the co-founder of , a culinary entrepreneur consultancy, Chef-Instructor Kathryn says this is a common mistake in organizations owned by women.
鈥淚n my experience, the women [I鈥檝e consulted with] often just want to get started, charge ahead,鈥 she said. 鈥淎nd it鈥檚 a mistake.鈥
According to Chef Kathryn, understanding 鈥渉ow the economy is going to impact your business financially,鈥 can be the difference between bankruptcy and success.
鈥淚 certainly wish someone had sat me down and discussed the financial side of things,鈥 Chef Sohui said. 鈥... that I鈥檇 taken more of the business-type courses [for restaurants] so that I wasn鈥檛 learning the lessons as I went along.鈥
鈥淏ut maybe I wouldn鈥檛 have done it if I had known all the numbers,鈥 she said, adding that 鈥測ou learn twice as much from mistakes that you make [as you do] from the successes.鈥
Day-to-day occurrences were the bigger shock for Chef Shenarri; in her words: 鈥渢he things you just can鈥檛 prepare for.鈥
鈥淪omething like your produce order not arriving or your farmer running out of something that鈥檚 on your special menu for the day or your cooks calling out 鈥 all of the things that you don鈥檛 consider and that happen behind the scenes of a restaurant 鈥 It鈥檚 not something you can really learn,鈥 she said.

Validate 鈥 and lock in 鈥 your vision
What you can learn 鈥 and what you must lock down 鈥 is your vision and mission. On this, the panelists unanimously agreed.
鈥淭ake [your business proposal] very seriously,鈥 Chef Sohui said, 鈥渂ecause it鈥檚 the blueprint for how you鈥檙e going to make [your] restaurant 鈥 so it has to be complete with the menu, the way that the money is going to be spent 鈥 and the culture, which is what sets [your] restaurant apart from the other 500,000 restaurants in [New York] city.鈥
鈥淚n terms of research for opening restaurants, it needs to be hands-on,鈥 Chef Shenarri said, 鈥渨hether that鈥檚 going to culinary school, traveling, seeing what other people are cooking in other parts of the world and getting familiar with other ingredients, learning about food systems, getting to know the farmers, eating out 鈥 You have to explore,鈥 she said, adding that being consistent while staying 鈥渕indful of the times and what people are going through鈥 count, too.
One example: 鈥淓ggs are high right now, so maybe you create a menu that鈥檚 not egg-heavy,鈥 Chef Shenarri said, 鈥渁nd then you don鈥檛 have to charge your customers as much money.鈥
The nod to respect 鈥 for the work, food, guests and team 鈥 was an oft-cited concept over the course of the panel.
Chef Sohui's mission when opening her restaurants was to balance two things: her artistic vision for opening a restaurant with the respect and humility restaurateurs must show their staff.
鈥淵ou have to live it and preach it and be able to translate that to everyone that you hire,鈥 she said.
Teamwork makes the dream work
A critical piece of advice was this from Chef Shenarri: 鈥淔ind your people early on.鈥

鈥淸When] you have ideas and you want to break into an industry, there are going to be times you have questions and you need support,鈥 she said. 鈥淚nvest in your relationships with people and your network, because you never know when you鈥檙e going to need someone later on 鈥 and that [investment] goes both ways.鈥
Chef Sohui spoke of the time two years ago when she was building her opening team at Gage & Tollner. She knew who she wanted as general manager, chef de cuisine and sous chef. She also knew she wanted to see the proposed compensation for these positions. Why? Because she wanted to ensure that as a business and as owners, they were able to take care of the team.
鈥淚 don鈥檛 do everything on my own,鈥 she said. 鈥淵ou have to have each other鈥檚 backs, and that teamwork is crucial.鈥
The restaurant business, she pointed out, is more 鈥渁 business about people than food.鈥
鈥淚f you can cook and you have passion, that鈥檚 great. It鈥檚 foundational 鈥 [but putting] forth a wonderful restaurant in all of the areas, the entire package 鈥 the great food, the great hospitality, the work culture. These,鈥 she said, 鈥渁re things that you have to put a lot of time into so that you create and sustain your work family.鈥
鈥淚t鈥檚 not an easy business to be in,鈥 Chef Kathryn said, but it most certainly has its rewards.
Asked about her proudest achievement, Chef Kathryn replied: 鈥淚 had a student two years ago who came to [ICE] from Korea where she was a principal. Here [in the U.S.], she was working in a chicken processing plant. She now works at Gramercy Tavern.鈥
鈥淚 guess that鈥檚 about as far as I can take it,鈥 she said.
Challenging though it may be, the fruits of the hospitality industry 鈥 as clearly demonstrated by our all-star women in business panelists 鈥 are equal to, and possibly greater than, its labors.